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Highlights Pinakotheke Modern – Munich\u00a0Germany<\/p>\n
Versuchung (Triptychon: Mittelteil), 1936\/37
\nTemptation (Tryptic), 1936\/1937<\/p>\n
This tryptic was realized in Berlin after Beckmann was forbidden to exihibit and his work condition have become extremely difficult. The artist wants to express the lack of freedom in his painting through the use of bondage and the enslavement of women. Every human seem to be locked in a cage. The temptation, the passion appears here as a psychological disease more than a positive feeling.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1513159533818{margin-top: 40px !important;margin-bottom: 40px !important;}”][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n
Aids\/Jeep\/Bicycle, 1985\/1986<\/p>\n
Andy Warhol\u2019s painting are a must have for a contemporary art museum. This painting present objects of the mass consumerism that used to be worshiped : bikes, cars\u2026 the letter in black AIDS are here to symbolise the chaos of the end of the 20th century and this contradiction between the crazy growth and the disease. [\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1513159541209{margin-top: 40px !important;margin-bottom: 40px !important;}”][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n
Sitzende Frau, 1941
\nSeated woman, 1941<\/p>\n
During the second World War, Pablo Picasso was painting in his studio in Paris a serie of portrait of a woman in an armchair. He was always representing Dora Maar, his lover during those years. All these painting symbolizes the war since the space is extremely narrow, her body and face are totally disfigured in front of such pains. The facial expression with opened eyes and mouth conveys to the woman a certain crazyness, reminding the painting of Munch \u00ab The scream \u00bb.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1513159549463{margin-top: 40px !important;margin-bottom: 40px !important;}”][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n
Cirkus, 1913
\nCircus, 1913<\/p>\n
This painting depicts a leisure time in the bourgeois society. People are attracted by this safe wilderness and its sophistications. Furthermore, Kirchner was extremely fascinated by the exotic dimension of the Circus, the animals and the dance. He inspired himself from the famous painting of the French painter Seurat \u201cThe circus\u201d which was executed in 1891 and know kept at the Mus\u00e9e d\u2019Orsay in Paris.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1513159556550{margin-top: 40px !important;margin-bottom: 40px !important;}”][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n
The difference in Kirchner\u2019s interpretation is the distortion of the riders and of the different characters facing a massive crowd: this is indeed an expression of the duality of the scene, between bourgeois and the performers. The Circus of Kirchner embodies relevantly the movement he created : Expressionism.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1513159565407{margin-top: 40px !important;margin-bottom: 40px !important;}”][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n
The Mandrill, 1913<\/p>\n
Franz Marc founded the Blue Rider and became of the most important painter of German Expressionism. Franz Marc is regarded as a co-founder and advocate of the theory of the “Blue Rider”, is an important painter of German Expressionism. The concept of his painting is to connect every beings through colors and mixing shapes. [\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1513159573643{margin-top: 40px !important;margin-bottom: 40px !important;}”][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n
Das R\u00e4tsel der Begierde, 1929
\nMy mum, my mum, my mum, 1929<\/p>\n
Salvator Dali, like all the surrealist artists, paints images from his dreams, experiences as realistic as he can. The spectator is then free to analyze the painting maybe with some references to the theory of dreams from Freud. Dal\u00ed’s pictures are typical examples of the distance between theory and practice in Surrealism, which seeks to eliminate the mind ultimately through the mind. The symbolic of the mother is extremely Oedipal.
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[vc_row][vc_column][vc_column_text] Highlights Pinakotheke Modern Highlights Pinakotheke Modern – Munich\u00a0Germany MAX BECKMANN Versuchung (Triptychon: Mittelteil), 1936\/37 Temptation (Tryptic), 1936\/1937 This tryptic was realized in Berlin after Beckmann was forbidden to exihibit and his work condition have become extremely difficult. The artist wants to express the lack of freedom in his painting through the use of bondage […]<\/p>\n","protected":false},"author":2,"featured_media":46655,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-39104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-learn-german-free"],"yoast_head":"\n